We do not have roll over minutes in our house. It is good to skip days sometime to let you family know that you are thinking about them. As any drummer knows, it is easy to get lost in time when practicing, especially when playing to music. So when your wife comes in and points to her watch, you smile and say, "Yes Dear."
Your physical body can always do what you mind can conceive. Before you know it you will be producing you own style that others desire of you. It all starts in the mind.
Drumming at times can be a bit strenuous, though you will be able to play for hours when keeping the body relaxed. Without performing warm-up exercises before playing, the body can become tense and show signs of fatigue within a short while. We will explore exercises that are quick and easy encompassing the whole body from head to toe.
Vinnie Colauita once said, "Just play in 7 for like an hour". This is especially insightful as we can often get caught up in studying things too closely and miss the point. Sheer repetition will help lead to more comfort in odd times.
Depending on the type of music, begin your solo to match the flow of the music. You might not want to perform a hard and fast solo to slow, smooth, easy listening jazz nor drum softly to hard, power-driven metal. Make your solo tasteful. Let it make a statement and signature of what you are creating. Utilize all the instruments of your drum set such as your snare drum, bass drum, toms, cymbals and other instruments that accompany the drum set. The final step in developing a solo.
However, six months is not an ideal time. If you have been playing the drum too often lately, consider changing it even though you may have changed it four months back. Signs that should tell you it is now the time for you to change are indents and cracks.
Improvement: Each practice session should create a challenge for the musician to accomplish something never previously done. This could be a new rudiment, piece of music, or exercise, it could also be a new tempo for an old exercise, etc. And the tempo does not necessarily have to be faster - just different
Drummers like Zigaboo Modeliste and Johnny Vidacovich mixed second line with syncopated funk, developing a style called "second-line funk drumming". This style was popularized in many famous bands that came from New Orleans like the Meters (see below). Second line drumming often involves a 3/2 son clave not dissimiliar to the Bo Diddley beat although it doesn't necessarily always follow that rule, and Second line beats are also called "Street Beats".
Your physical body can always do what you mind can conceive. Before you know it you will be producing you own style that others desire of you. It all starts in the mind.
Drumming at times can be a bit strenuous, though you will be able to play for hours when keeping the body relaxed. Without performing warm-up exercises before playing, the body can become tense and show signs of fatigue within a short while. We will explore exercises that are quick and easy encompassing the whole body from head to toe.
Vinnie Colauita once said, "Just play in 7 for like an hour". This is especially insightful as we can often get caught up in studying things too closely and miss the point. Sheer repetition will help lead to more comfort in odd times.
Depending on the type of music, begin your solo to match the flow of the music. You might not want to perform a hard and fast solo to slow, smooth, easy listening jazz nor drum softly to hard, power-driven metal. Make your solo tasteful. Let it make a statement and signature of what you are creating. Utilize all the instruments of your drum set such as your snare drum, bass drum, toms, cymbals and other instruments that accompany the drum set. The final step in developing a solo.
However, six months is not an ideal time. If you have been playing the drum too often lately, consider changing it even though you may have changed it four months back. Signs that should tell you it is now the time for you to change are indents and cracks.
Improvement: Each practice session should create a challenge for the musician to accomplish something never previously done. This could be a new rudiment, piece of music, or exercise, it could also be a new tempo for an old exercise, etc. And the tempo does not necessarily have to be faster - just different
Drummers like Zigaboo Modeliste and Johnny Vidacovich mixed second line with syncopated funk, developing a style called "second-line funk drumming". This style was popularized in many famous bands that came from New Orleans like the Meters (see below). Second line drumming often involves a 3/2 son clave not dissimiliar to the Bo Diddley beat although it doesn't necessarily always follow that rule, and Second line beats are also called "Street Beats".
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